Power From Thought

We have all seen the martial artist who has discovered this whole body force. He may not be impressive in a weightlifting environment, but he can crush you with his ability to apply all of the strength he possesses in sparring or combat. In order to develop the tremendous power of external and inner strength one has to first develop the physical connections that links each segment of the body and then using the mind develop what I will call functional strength.

In Chinese this functional strength is (Qian-li), hidden strength. Hidden strength is the ability to coordinate the muscles with the mental intent (Yi) and combine this with the heart or emotional power of visualization referred to as the (Xin). A coordinated strong body combined with intent and visualization will make come together so that one begins to use the most sought after power in martial arts, Zhengti-jin 整體勁 or whole body force.

Whole body power is difficult to achieve. The student must learn to coordinate his mind and body as one unit instead of separately using parts of the body to move and strike. After this the strength is like iron and must be refined again to become even more subtle strength.

Training in the Jiulong Zhandouli methods that incorporate both internal and external power development methods such as meditation, standing martial Qigong forms, yoga, circle walking and special equipment training is the way to find the true levels of useful martial.

WHERE DOES INTERNAL TRAINING COME IN

With our training various phases of both internal and external development are undertaken simultaneously as the student progresses new layers and nuances are added to the same training methods in order that one skill builds upon another in an orderly fashion.

MIND: mind must be trained to control the body
a. A Type of Meditation Training
In the Jiulong Baguazhang system beginners first learn Zuo-gong or Zuochan (Quiet Sitting Methods), and then they are introduced to Zhan Zhuang (Standing Exercises). The purpose is to develop the ability to use our mind as a functional tool to focus external as well as internal development towards our goal.

b. Visualization Training
Next the ability to us visualize is the key to engaging powerful imagery that will lead the body towards the desired goals. Examples of this are found throughout Chinese martial arts. Forms and styles are often given ferocious animal names like Tiger and Snake or Lion. Moves and tactics are descriptive images of forces in nature, typhoon palm, thunder palm, mountain palm, lightning fist etc. This is known as Yigong or mind skill training.

We also train the body with Zhan Zhuang (standing at stake) meditation exercises. There are basic forms to open joints, develop intention power and visualization abilities as well as to improve Qi flow through the meridians and achieve rooting skills.

Later we graduate to Li family Zhan Zhuang Power Standing® to begin using the Yi as a means of controlling the more subtle aspects of muscles, tendons, bones and Qi. In Jiulong this practice is part of our art know as Yizhang or mind palm. The results of this coupled with correct breathing will be the foundation of our Jin-Gong, lit. Force Skill. This will evolve from standing to Yi Xin Gong or Intention of Heart / Attitude Skill training where we use Yinian (to create and sense energy by thought) ability in order to produce higher levels of physical speed, sensitivity and strength

BODY:
Trained for flexibility, agility, strength and endurance
Jin-Gong a product of mind and body can only be as strong as the state of our physical musculature. If we want to increase the power of our Jin-Gong we must also increase the strength of our primary and secondary muscle groups. For this we include Daoyin (way of the gentle energy) a form of Yoga created over 2,000 years ago in China by Daoist masters. It was designed as a method of unifying mind and body for the purpose of improving health, vitality and increasing longevity.

Walking The Circle
Students learn the famous Baguazhang circle walking. This type of training has many levels. One of the most important is to develop what I refer to as “moving root”. One needs to be fluid and mobile to practice Baguazhang as a fighting art. Unlike most other martial arts Baguazhang is one of the only methods truly designed to combat multiple opponents and to strike, lock, kick and throw opponents while walking and or running. We also learn to apply the principles of Yi Xin Gong to the circle walking practice using Yinian skills.

There is almost no stopping or rooting to the ground as in Taijiquan or Xingyiquan. So power of a different kind is needed. Circle walking can teach us how to create balance and later as we walk the nine posts striking and flowing in and out how to carry our center and root while on the move. We can also employ circle walking as a form of aerobic training to produce endurance and stability.

Nine Palace and Light Body
Equipment training has many levels. One of these is the Nine Palace training Jiugong-Dian where the student learns to maneuver deftly around nine posts set in the ground as if dodging and attacking multiple opponents. At the Gompa Center our Nine Palace training area is layered with shingles and covered with gravel. This makes for precarious footing and trains precise stepping patterns while running the poles.

Students are also introduced to Qing Gong (light body skill) that involve circle walking on bricks and balance beams or navigating an obstacle course with logs or debris littering the circle walking area. All of this type of exercise trains awareness and deft footwork necessary for real combat skill.

3 Days at the Gompa

Sounds like an exotic journey to a far off land doesn’t it? In way that is exactly what members of the Toronto Study Group experienced during a training session a few years  back. We found ourselves in a martial arts heaven. I hope a brief story about our trip will be an enticement to others.

Due to our flight arrangements, we landed quite late on a Wednesday night, arriving at the Gompa at 1:30AM. Even at this late hour, Shifu Painter had arranged for us to organize our sleeping arrangements so as to get to bed as soon as possible after our arrival. This was good since we knew the day was going to start at 8:30 sharp.

Thursday began with an hour of meditation and Dao Yin yoga with Shifu Painter. There is no adequate way to describe this experience other than to say that it was peaceful, healthful and a completely delightful way to begin our training. We all went to breakfast after this and enjoyed discussing the coming three days of training.

The first martial training session was in Master Jou’s garden. This is an outdoor training space dedicated to the late Master Jou, Tsung Hwa, author of several books and a pioneer of Taijichuan in the west. The garden itself consists of several sections, each with different training tools and environments. There is a wooden deck used for multiple purposes such as meditation, stepping patterns, qigong etc. Beside this is the famous Baguazhang Nine Post Training area which involves nine wooden posts arranged in three rows of three posts, all situated on a surface of loose gravel. You need to step carefully since the gravel slips out under your feet. Next is an area of raised stone steps arranged in a circle so one can practice stepping onto very specific targets. If you miss, you fall over. There is also a place for practicing light body skill. If this was not enough, there are also lengths of narrow beams on which two people can stand and play push hands games. There are practice dummies for arm work, and space to swing weapons. The largest area is a patio with a beautifully inlaid yin/yang symbol surrounded by the eight gua of the Yijing. (I Ching). Here there is plenty of room for combat games with multiple opponents. And there is one unforgettable piece of equipment; a 12 foot length of 4 inch PVC filled with concrete, weighing about 150lbs and hung from a high tree branch so it swings far and wide. This thing is a challenge to one’s walking and rooting skills that has to be experienced to be understood. Does all this sound cool or what??!!

We spent the day in the garden working on our body structure. This involved fine tuning the various alignments that are needed to produce whole body power. This is not a mysterious force, but rather the effect of the various muscles and bones being used in a synchronized way to create more force than any single muscle or group of muscles by themselves. To accomplish this, one must spend time finding the weaknesses in the way the body is held and make the necessary corrections. This we did for the entire day with well-timed rest periods.

After dinner we had some free time and chose to spend it once again in the garden, just lightly playing a game called “Two Dragons Circling Among the Clouds”. The garden is lit at night via well placed lamps, consisting of subdued white light in waist high stands, and blue spotlights overhead which have the effect of moonlight. It is quite magical to be in that place at night playing sensitivity games. We did this for the entire evening until we were just too tired to continue. A fabulous fatigue!

The next day started once again with meditation. After breakfast we spent the morning with Shifu Robert Castaldo. He is one of the official Gompa instructors and he had made some discoveries about stepping that he wanted to share with us.

It was a very detailed examination of the way one’s foot is placed when walking and the effect it has on the ability to deliver power while maintaining balance and root. You may wonder how we can spend so much time on something so seemingly small and specific. Yet we easily filled up the entire morning on this and could have gone on longer. Questions were posed and examined; ideas were tossed around and experiments designed to explore those ideas.

For anyone interested in really exploring body mechanics and their most efficient use, I highly recommend that you try to spend some time with Shifu Castaldo.

After lunch came our session with Shifu Alan Marshall. He asked us what we were working on as a group in Toronto, and we mentioned the “Two Dragons” exercise we had done the evening before. So he graciously spent the afternoon sharing his ideas and approaches to this game. It was eye opening to say the least. It must be said that the Gompa teachers are very adept at assessing where you are and then working to fill in any holes and subsequently adding information to move you forward. Shifu Marshall saw right away where the weaknesses were in the way we were playing and was able to make very specific suggestions for improvements. And, of course, he demonstrated his meaning with each and every suggestion and we learned a great deal about how to improve our practice and make progress. The time flew by and when were just getting started, it was time for dinner. The evening was spent watching a movie and just relaxing with Shifu Painter. It was simply pleasant and relaxing.

The next morning was Saturday. This is the busiest day there as there are classes running all morning. Once again we spent the morning in the garden, this time with Shifu Andy Garza. And once again he wanted to know what we were working on and we told him “Two Dragons”. He watched us play for several minutes and, as with Shifu Marshall, he had some ideas and suggestions for us. But here is the best part, Shifu Garza had different ideas to show us with this game than Shifu Marshall, none of which were contradictory and once again we were shown information which would elevate our practice, yet in different areas.

So we again found ourselves being taught in ways that enhanced our practice without losing any of what we already knew. The reason for this is that the Gompa teachers focus on principles, rather than specific techniques. Principles can be adapted to various specific situations while specific techniques are only applicable to the situation in which they are effective. Also, the focus on principles allows each teacher to share their understanding from a personal standpoint without contradicting the other teachers. In this way each personality, and they are quite different, can be freely expressed while the information is complimentary. If this sounds too good to be true, keep in mind that they have been refining their approach for many years. We are the happy recipients of these years of work.

Saturday afternoon was spent once again with Shifu Painter….hmm, we have come full circle…..going over more details about various aspects of our practice. Circle walking, ba step turns, more alignments, ideas on using weights (water filled balls) to enhance practice etc. etc. This story is already long enough without attempting to get into all that detail. After dinner, we returned to the Gompa for a final in depth discussion with Shifu about various aspects of the art. He clarified and confusions, told some illustrative stories, shared more ideas, and this went on until after midnight.

Here is the bottom line: The level of generosity and care with which each of the Gompa teachers approaches one’s learning is evident and inspiring. How you are doing really matters to them. Nothing is held back and every effort is made to be sure you are learning what you need to learn. Going to the Gompa is like stepping into an isolated training compound, with the feeling of a being a world apart. This is so conducive to focused learning that I felt I was picking up information without being directly taught anything. Just seeing some of the equipment at hand give one ideas for practice. Each of us is naturally drawn to different aspects of practice, and since the environment totally supports all these aspects, one only has to be there to get some inspiration.

The best thing about the Gompa is the Gompa. The word means “place of quiet study” and that is exactly what it is. So if you are in any way considering experiencing this unique place, do your utmost to make it happen. You will be unbelievably happy you did.

The Goal of Zhandouli

When you practice Baguazhang, your attacker will be confused because he cannot know what you will do and you also will not know what you are about to do but your body will know instinctively how to react.”
Li, Long-dao

Martial ability (zhandouli ) is a term we use frequently in Jiulong Baguazhang.  At one level, the meaning of the term is obvious from the translation:  martial ability is the capacity to face an opponent or opponents in combat; the greater one’s martial ability, the higher the likelihood that one will emerge victorious.  Most students of Jiulong Baguazhang, however, will never have to fight for their lives – and so much the better.  Even in the face of danger, we are better off if violence can be avoided.  As Sun Tzu says, “To win one hundred victories in one hundred battles is not the acme of skill.  To subdue the enemy without fighting is the acme of skill.”  So what does zhandouli, really mean for practitioners of Jiulong Baguazhang? The answer lies at the very heart of our art.

No Formalized Forms Training

Jiulong Baguazhang does not consist of memorizing hundreds of forms. In the final stages there are no formalized forms or kata in the traditional sense. The core of this art consists of total training with exercises to develop external skill (waigong), subtle skill (neigong) and internal energy skill (qigong).
These exercises — standing meditation, waigong, neigong and qigong exercises performed while walking in a straight line and on the circle holding the eight mother palm postures — strengthen the body and neurological system.

Jiulong training also includes a study of the meaning and images of each of the eight basic three-line diagrams (gua) of the Yijing as they relate to attitude, action, and use of each of the hand.

The term, “the eight mother palms”, refers to whole body postures incorporating all of the body’s energies.  The palms become mental attitudes permeating the entire psychological and physiological makeup of the student. The martial and qigong practices use the Yijing symbols as visual images to empower the student through the focus of his intention (yi) and heart (xin) until imagination becomes reality.

Immediate Feed Back

One of the great things about Jiulong Baguazhang is that all postures and physical positions can be tested for the correct energy (jin) pathway. A jin pathway is the alignment of body segments in such a way that energy can move uninterruptedly up from the ground, through the legs, to the torso, and out into the limbs. Developing power skill is called jingong.

This pathway can exit at the palm, forearm, shoulder, or almost anywhere one wants to strike or push. When the pathway is correct, pressure on the arms or any other body part will result in a feeling of an uninterrupted line of energy sending pressure in the corresponding foot or feet in accordance with our “Cross the Great River” principle. This principle states that the arm in use for striking or neutralizing is opposite from the leg upon which the body weight is being supported. Thus the left hand is pushed by the right leg through the torso and the right hand with the left leg.

This principle is easy to understand in static training but is quite difficult to master while performing continuous linear and circular walking. Nevertheless, it is one of the major components of the Jiulong Baguazhang method that allows us to strike, throw, or bump with full body force yet still carry power in reserve.

The Arms Are Important

In any posture, when the shape is correct the arms will have the same bend in the elbow that they do in the standing posture we call “Dragon Embraces the Pearl”, and other systems call “Holding the Ball” or “Hugging the Tree”.

Many persons who stand do not attain the correct alignment of the elbows and thus cannot manifest the jingong easily through their arms. It is this correct bend in the elbows that creates an “energy sink” leading the force into the spine (the ridgepole), thence to the thighs and into the ground. Every shape in Jiulong Baguazhang can be tested in this way. Start with your standing forms and later try it with the other shapes of Heaven Palm.

Entering The Dragon Gates

In Jiulong Baguazhang, we study each of the eight palms individually, as a complete system, for one year or more. With each palm, students experiment with qi development, meditation, and martial skills in stationary stances, linear movements and walking the circle while changing directions.

There will also be work with both healing and martial training comprised of coordination drills, study of anatomy, health benefits from traditional Chinese medicine and qigong as well as modern Western medical implications of the practice.

Jiulong Baguazhang is a total system of training for mind, body and spirit. As a martial practice each posture will be carefully examined and incorporate both internal and external power training called Nei-gong and Wai-gong. Balance training and deft footwork will precede the study of realistic combat applications for locking (qinna), throwing (shuaijiao), and striking (da) using each individual posture.

A Jiulong student is striving to achieve the “virtue of one palm” (yizhangde) as he does this he will pass through one of the eight dragon doors (balongmen). After all eight are absorbed he will have eight forms of palm virtue (baguazhangde). In the more advanced stage, the palms are combined one with the other. At this level, movement begins spontaneously to generate forms.

As a student comes to know all of these postures and their internal and external energies intuitively, they begin to exist on a subconscious level, coming and going as naturally as any other habitual activity.  At this level he has passed though the ninth dragon door. He is now a Jiulong Baguazhang boxer.

The ultimate goal of this style of Baguazhang is to learn to move naturally with such power, grace and balance that, no matter what happens, you are able to go along with the now moment; merging and emerging with external forces while preserving your own energy. Although the art of Baguazhang has many faces and forms it is this spontaneity of action and continuity of change that is the goal of every Jiulong Baguazhang student.

This is the essence of Nine Dragon Baguazhang. The art is simple but there is a great deal to do before we attain mastery.

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